If you are a fan of the great Orson Welles and are
curious about his last film, The Other Side of the
Wind, please don’t miss director Morgan Neville’s revealing documentary, They’ll
Love Me When I’m Dead. Although the title comes from a Welles quote he
denies saying, it’s still an appropriate title for this unusual film. It
reminds me of another relevant quote by Welles -- “Nobody who takes on anything
big and tough can afford to be modest.”
Neville’s documentary deals with the last fifteen
years of Welles’ life, which were devoted to making a movie about an aging
director trying to complete his last great film (art imitating life?). The
always wonderful Alan Cumming serves as narrator, and clips of scenes from The
Other Side of the Wind are shown as well as comments from people connected
with the film who are still around, including co-writer Oja Kador and acclaimed
filmmakers Peter Bogdanovich and Henry Jaglom.
Orson Welles, we won’t forget you.
This documentary seems true.
Your last film’s ups and downs we see.
Unfinished by you. A mystery.
Lots of toil as the years went by,
but funding problems might be why.
Or to keep filming was your goal
because it formed part of your soul.
Starting at top, then going down.
Hollywood is a ruthless town.
Times a-changing, perhaps too fast.
Will films of yours be ones to last?
Fortunately, Netflix is also releasing at the same
time a restored version of footage from Welles’ The Other Side of the Wind,
which makes a fascinating double feature for cinema buffs everywhere. John Huston looks magnificent in the
lead role of Jake Hannaford, while Bogdanovich manages to hold his own as a
rising young filmmaker and friend who learns about betrayal. (It’s interesting
to note that comic/impressionist Rich Little was Welles’ first choice for that
part.) Also, the documentary indicates that Welles thought about portraying
Jake himself. What a treat that would have been!
As a confirmed movie addict, I really enjoyed this
documentary. It shows filmmaker Welles with warts and all. And it reinforces my
belief that he loved making movies more than anything else. Below are two of my
favorite quotes by Orson Welles to prove my case.
A movie in production is the best electric train set a boy could ever have.
The cinema has no boundary; it is a ribbon of dreams.
(Released by Netflix; not rated by MPAA.)
Labels: documentary, Morgan Neville, Orson Welles
