Memosaic

Friday, May 18, 2018

Put the Blame on Me



Has any movie actress ever sizzled on celluloid like Rita Hayworth in Gilda (1946)? I doubt it. When this “Love Goddess” of the 1940s sang “Put the Blame on Mame,” her sex appeal almost jumped off the screen. Women wanted to be her; men of all ages dreamed about her. And World War II servicemen couldn’t get enough Rita Hayworth pinups. I remember that this lovely movie star was a big favorite of mine then. However,  she was responsible for one of my most embarrassing teenage situations.

In the forties, students at my high school were expected to demonstrate school spirit every day --- which meant showing an interest in sports, especially football. Although that required an Oscar-caliber performance from me, I didn’t have to fake my enthusiasm for pep assemblies. I quickly became involved in writing skits plus choreographing and doing dance numbers for these almost weekly events. 

One of my favorites featured imitations of Al Jolson, Rita Hayworth, Mae West, Mickey Rooney, and Judy Garland. I’m sure Margie (my debate partner) and I had more fun performing this act than the students had watching it. Except for my “Put the Blame on Mame” rendition, that is.  Evoking so many laughs for impersonating Rita Hayworth didn’t sit well with me. I was going for Gilda’s sexy persona. Maybe that’s why my friends started calling me “Torchy” while giggling behind my back.         

In 1983, Lynda Carter portrayed Hayworth in a TV movie titled Rita Hayworth: The Love Goddess. Although Carter did her best to capture the essence of Hayworth’s appeal, her performance (as well as the production) failed to do justice to one of Hollywood’s most glamorous stars. Happily, because many of Hayworth’s films are shown on television and are also available on video, viewers can still enjoy her unique movie magic. 

Fortunately -- because of popular demand -- I never tried performing my Gilda impersonation again! 

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Tuesday, May 01, 2018

Got the Horse Right Here

With the Kentucky Derby coming up this weekend (May 5), my thoughts have been turning to films about racehorses, and Secretariat keeps popping up in my mind. Of course, central to this story of the greatest racehorse of all time are the racing sequences. 

Cinematographer Dean Semlar deserves credit for giving viewers a chance to view part of one race almost the way the jockey sees it as well as for fascinating shots of the horses inside the starting gate. Moments before a particular race begins, Secretariat seems to be giving one of his most important challengers the “evil eye” and vice versa. 

Details like this enhance the movie’s visual appeal. And, even though I knew how each race would turn out, I couldn’t help feeling excited as the powerful thoroughbreds thundered down the track. No wonder Secretariat ranks high on my list of all-time favorite racing films!  


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Thursday, April 19, 2018

Henry Jaglom: On the Right Track



Two strangers bond while on a train.
Will their love last or end in pain?
SHE hates the Jews, but HE is one.
Should he tell her and spoil their fun?

In Poland before World War two,
it’s not a good time for a Jew.
This fine Henry Jaglom movie
is heartbreaking but a must-see.

Filmed mostly in old black and white,
enchanting scenes evoke delight.
A journey back to days gone by --
but bigotry still makes us cry.

“Train to Zakopané” rings true.
It’s message will long stay with you.

(Written and directed by Henry Jaglom, Train to Zakopané stars Tanna Frederick and Mike Falkow. The Rainbow Film Company plans a May 2 release in Los Angeles for this unique film. TBA for other areas) 

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Sunday, April 01, 2018

Great Family Film

When an orphaned dog and a fatherless schoolboy make eye contact on a busy street, both realize they were meant for each other. This remarkable early scene sets the tone for Benji, Brandon Camp’s charming remake of his father’s (Joe Camp) popular 1974 film.

The casting of these two main characters, Benji and Carter, plays a key role in the success of this 2018 Netflix movie. Benji (the dog’s real name) is scraggly but adorable and boasts extremely expressive eyes. No wonder this cute canine captivates us right away!  And, as Carter, Gabriel Bateman almost matches Benji in the eyes department. Plus, Bateman makes Carter believable right from the beginning because of the clever way he tries to make Benji follow him home as well as the caring way he treats his darling little sister, Frankie (Darby Camp).

Of course, Benji wants to find where Carter and Frankie live! He follows Carter’s Hansel and Gretel strategy as closely as he can despite the many   obstacles in his way. Undaunted, Benji arrives at his destination. Yay!

But, not so fast, folks. The children live with their widowed mom (Kiele Sanchez), who works hard as an emergency medical worker. She refuses to let the children keep Benji. I know what you’re thinking. Poor kids – and poor Benji.               

What can he do? He’s just a dog.
But Benji’s smart – not in a fog.

He loves two kids and needs a home.
No longer will he have to roam.

So as we watch this fun movie,
we hope good things come to Benji.

We hate to see him come to harm,
for Benji’s filled with lots of charm.

The kids he loves are also great.
When villains come, we fear their fate.

How will Benji help save the day?
You know that’s something I can’t say.

But dogs and kids can’t be ignored.
See this film? Well, you won’t be bored.

The not-so-smart villains are played seriously by Angus Sampson (Winchester) and Will Rothhaar (Division 19). They come across just scary enough for youngsters but not frightening enough to give the kids bad dreams. However, these robbers have a ferocious Rottweiler that might be a problem for toddler viewers.        

I must conclude with congratulations to Benji. Too bad there’s no Oscar for Best Animal Performance. Benji would win hands – er paws – down. 

(Released by Neflix; not rated by MPAA.)


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Monday, March 19, 2018

A Birthday Poem


My birthday today was filled with surprises! Thanks to my family and friends who made this particular birthday quite memorable.

A special thanks to film critic and author Richard Jack Smith for the poem below.  

The Best of Us: A Birthday Poem
Looking for an Ice Road Trucker?
Sign up Betty Jo Tucker.
She's the critic who tells it straight
Where other opinions emerge too late.

A love of musicals she has.
Of Shirley Temple, Busby Berkeley and jazz.
From her I have learned a lot
About the movies and things to spot.

She has a mastery of the poetic phrase
Her observations simply amaze.
An original voice
Because that's her choice.

That poem means a lot to me because Richard and I both include film poems in some of our movie reviews. In fact, Richard’s latest book is titled A Poet Among Critics,  and here’s what I wrote about that terrific book:

Richard Jack Smith writes poems with ease
about movies designed to please.
Plus even some he thinks fall flat
and keep him from tipping his hat.

A fine poet among critics,
rhymes and images he does mix.
His reviews earn two thumbs up
and a poetry Loving Cup!

***


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Friday, March 09, 2018

Jane Bernard Loves March

I am very happy that Paperclips Magazine selected author Jane Bernard as their featured writer this month. Jane loves March! And she makes a great case for March in her wonderful article titled "Be Playful. It's March!" 

I love this month anyway (my birthday month and St. Pat's Day), but after reading Jane's article I feel even more fonder of March. Lots of good advice! Thanks, Jane.




Be sure to check out the article by clicking the link below. 
https://paperclipsmagazine.cld.bz/Issue-46-Reformation/90   

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Friday, March 02, 2018

Seven Years of Showbiz Fun!


Congratulations to George Bettinger, a recent Friars Club inductee, for making fans very happy during the past seven years with his wonderful Mom and Pop Shop radio show. As one of his many, many fans, I will miss listening to this fun show, which aired on Dream Stream Radio and on Tune In Radio in Miramar, Florida, and was heard all over the globe. I call George “Mr. Showbiz” because of his multiple talents, which I am sure will come in handy in his new ventures.

I felt honored when George read my poem below on his last Mom and Pop Shop Show that was broadcast on Friday, February 23.        

Number One on my Showbiz list,
The Mom and Pop Shop will be missed.
We’re lucky to have heard this show
as all its fans most surely know.

George Bettinger, the great EmCee,
gave us music and jollity.
Impressionist extraordinaire,
he made us forget each day’s care.

Bogart, Benny, Groucho and more
George summoned for us to adore.
Great guests joined in from everywhere
to laugh, to chat with lots to share.

When Mom Lizette came on the show
we cheered because we love her so.
Thanks, Pop George, for all you’ve done.
Our hearts and friendship you have won.

For what comes next, our wish for you
is that it makes your dreams come true

I am also thankful to George Bettinger for being one of our most entertaining guests on Movie Addict Headquarters, my own radio show, and for his enthusiastic support of that show. Of course, I never knew for sure who he planned to bring along with him: W.C. Fields, Boris Karloff, Bela Lugosi, etc. And he gave a delightfully amusing performance in CAKE: A Love Story, a short film based on It Had To Be Us – the romantic memoir my husband and I co-wrote under the pen names of Harry and Elizabeth Lawrence. In fact, George and the lovely Lizette Amado-Bettinger assumed the roles of Harry and Elizabeth during one MAHQ episode where they read the first chapter of that book for our BlogTalkRadio listeners. Mom and Pop were both great!  

Please keep on being Mr. Showbiz, George Bettinger.



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